The Work Of Stephen Sondheim Music Essay

The Work Of Stephen Sondheim Music EssayBorn in New York in 1930, Stephen Sondheim is widely acknowledge as the virtually innovative and prestigious Broadway composer of the last fifty years. However, despite having approximately sixteen projects under his belt (not counting the numerous musical anthologies, reappraisals or movie pull ins), Sondheims work gloss everywhere divides the critics whilst some embrace his innovation, others lament over the loss of a more than traditional form and lack of hummable melodies. Many wait to deem his work as apt and intelligent only if missing the warmth that was generally considered the mark of a hit Broadway re charm.Yet despite not always meeting with landslide citation for his work, Sondheim has collected more than sixty individual or collaborative Tony Awards most notably he has received the award for best Score/Music/Lyrics for Company, Follies, A Little Night Music, Sweeney Todd, Into The Woods and Passion, all of which won th e New York Drama Circle Award for Outstanding/Best Musical as did Pacific Overtures and sunlight In The Park With George.Company Sondheims first collaboration with generator George Furth, marked his first major hit in 1970. Furth had come to Sondheim in early 1969 with a series of one(a)-act mashs he had written. Sondheim passed them on to now leg ratiocinationary producer Har sexagenarian Prince who suggested the two should work to watchher to transform the plays into a musical, promising to stage it once it was completed. The musical composition shook Broadway from the fantasy happy ending story it had come to expect and brought well-nigh a more provocative musical comedy. As Sondheim stated, Company does comprehend with upper middle-class lot with upper middle-class problems. Broadway playing area has been for many years supported by these people. They actually want to escape and were saying comfortably bring it right back in their faceswhat they come to a musical to avoid, they suddenly find facing them on stage. This hard-edged, unromantic depiction of romantic family relationships was extremist for the Broadway stage and managed to both humour and challenge audiences with its unsettling view of relationships. Some found fault with what they saw as an anti-marriage show that didnt stand up against the classic Broadway themes, however, for the most part the show met with the kinds of intelligent accolades reserved for something fresh and exciting.After its opening, observers noted that the shows protagonist, Robert, showed a similarity to Sondheim own acknowledgment a middle-class, single, professional, living in New York, commenting on the life of the other young professional couples around him. Sondheim has always denied that any of his work is autobiographical, but his next collaboration with George Furth in 1981, once again seemed really familiar territory for both writer and composer.As far as the new era of Broadway composers goes, Jason Robert Brown has been hailed by some as The next Stephen Sondheim. Brown, as well as Jewish and born and raised in New York, began his career as an arranger, conductor and pianist. His first major production came in 1995 with Songs For A New World, an off-Broadway revue directed by Daisy Prince, daughter of Hal Prince who later hired Brown to write the claims for the musical Parade after Sondheim turned down the show.The musical tells the controversial line up story of the trail and hanging of Leo abrupt, who was wrongly accused of the rape and murder of a young manu accompanimentory girl in early twentieth century Georgia. The show dealt with the anti-Semitic tensions in the southern states at the conviction and did not shy away from the conclusion that the homogeneously killer was the African-American factory worker, Jim Conley. .Browns score is full of riches, mixing period American styles with strong melodies, intricate counterpoint, selective dissonances, and natur al lyrics which give their characters true, expressive voices. notwithstanding the cool reception of the show by the critics and the feeling that the show took too many liberties in the use of racial slurs, Browns score was highly praised and he later won the Tony award in 1999 for Best Original Musical Score. The attention received by Brown marked him out as the hottest up and coming talent. He returned to work with Daisy Prince on his next piece, The Last fin-spot Years for which he wrote both the word of honor and the score.LiteratureIt is strange that despite the wealth of artistry and innovation which musical theatre has produced throughout the 20th century, it has never really being given its rightful place amongst academe, always being seen as a more low hilltop art form than that of serious plays or music. It seems that if the exchangeables of Sondheim and Jason Robert Brown were to work in the medium of non-musical drama, or doubled in the field of serious musical comp osition like Gershwin or Bernstein, perhaps their work might be viewed in more of our universities. Why must important pieces of musical theatre be special to the destiny of popular artists, however richly deserving of serious attention on its own merits?That is not to say that at that place has not been much abridgment and writing on musical theatre or Sondheim in particularMartin and Gottfried and Meryl Secrest both present biographies of Sondheims career, life and works in sharp detail providing an in depth look at past and present influences which pass shaped his artistic development throughout the years.Sondheim On Music by Mark promised land Horowitz focuses on three main areas Firstly his interviews with Sondheim, particularly focusing on five of his main works (Passion, Assassins, Into The Woods, Sweeney Todd and Pacific Overtures). The second part is entitled songs I wish Id written (at least in part) providing a look at some of Sondheims major influences from a list compiled for his 70th birthday celebrations at the depository library of Congress. Part three supplies a list of all works, complete discography of all recordings to date and publishing information for all songs and scores up until the release of the book (2003).Joanne Gordons Art Isnt Easy The Theatre of Stephen Sondheim focuses on content and themes of Sondheims stage works, highlighting his innovative use of form and how he manages to weave the music and lyrics into the fabric of the good piece. It is almost a guide to the appreciation of Sondheims scripts and music and would be especially useful for those staging any of Sondheims musicals and provides an excellent basis of primary research material.With petty literary focus on Sondheims use of music, Stephen Banfield takes a different route, examining much of Sondheims output from a musicological perspective, under fetching practical and theoretical treatment of the music.Despite these and other writings in the last decade wh ich are taking a more serious treatment of the works of musical theatre, at that place is noneffervescent an elitist treatment against the reading of musical theatre within the academy. It seems to be stuck on the view that musicals remain largely unsophisticated and lacking in high serious. Unfortunately, there are snips when this is true. Recently, Broadway and the West End seem to live been plagued by film adaptations, Disney rehashes and juke-box musicals which, whilst they may have been commercially successful, are tarring other more good writers and composers with the low-brow brush.A collection of critical essays edited and with a foreword supplied by Sandor Goodhart makes prints to further the writing and critical analysis of the works of Sondheim, again pushing for the academy to take a shuttingr look into the world of intelligent musical theatre. Hopefully the moves towards a more intellectual appreciation of the work of Sondheim within academia will allow the same to later happen for the new class of musical theatre composers like Brown.Merrily We bowling ball AlongMerrily We Roll Along was one of Sondheim and writer George Furths most famous flops, running for just 16 performances after it opened on Broadway in 1981. It was based on a 1930s play by George Kaufmann and Moss Hart, and follows a group of hopeful young college graduates, from 1957 to 1976. But there is a twist the plot is stage in rearward(a) linear motion so the show begins in 1976 and gradually works backwards in time. So we watch everything knowing how it ended up, with friendships broken, idealism betrayed and marriages on the rocks.The score is full of what sound like traditional musical comedy songs hailing from 50s and 60s Broadway. While the score is very clearly Sondheim and the songs are not parodies, there does seem to be hints of several of his contemporaries Berstein, Bacharach, Styne and Kander. It seems somewhat ironic that this traditional book-musical which contains some of Sondheims most accessible songs, has had such a troubled professional history.After the ruin of the original production, Sondheim later made several major revisions for the revival of the show at the LaJolla Theatre in 1985. The reworking created a score Sondheim now calls, definitive.The show is centred on discourteouslin Shepard a rich, famous and influential songwriter and film producer. But how did he get to be where he is today? (Merrily We Roll Along) The years begin to schedule back.First stop is firedogs swanky Bel Air pad in 1976, after the premiere of his latest movie. frank is throwing a party filled with his friends the hangers-on, people who make things happen in show business and the movers and shapers are all there, and lavish praise on him (That Frank). At the party we withal meet Franks old friend and theatre critic, bloody shame, who is now an alcoholic. She is sickened by the superficiality of the people Frank has chosen to associate with and by his abandonment of music the one thing he was truly good at for the world of commercial film producing. As she gets progressively more and more drunk, she begins to loudly insult everyone, and is ordered to leave. Their friendship is over. However, Frank is hurt by Marys drunken remarks because he knows they are true. He has concentrated so completely on being a success that everything he most valued at the beginning of his career has long been left behind. The nonethelessing ends traumatically with the break down of Franks unhappy marriage to his married woman Gussie, a former starring(p) actress in one of his early musicals, when she viciously attacks Meg, his mistress.The years roll back to 1973 (First Transition). Frank and his long-time lyricist collaborator and friend, Charley Kringas, are about to be interviewed in a New York TV studio. In the make-up room, Charley greets Mary (Old Friends), and tells her that Frank is now so busy making deals that he never has tim e to write shows with him like they had always hoped. Mary laments over their strained friendship and wishes that it could be Like It Was. On-air the TV interviewer accidentally informs Charley of Franks plans to once again put off their long await politically idealistic show for another project. A nervous Charley launches into a demented rampage on the way his composer has transformed himself into a corporation (Franklin Shepard Inc). As Charley swings ferociously between bitterness and self-contempt, Frank walks out. Their friendship is over.Its now 1968, and Charley and Frank are in Franks apartment on Central Park West (Second Transition). He and Charley are arguing over his decision to do a movie version of one of their shows, Musical Husbands. Frank wants to do it for the money, but Charley says that it will get in the way of writing the idealistic show theyve always wanted to create. Mary looks on, and when the argument starts getting out of control reminds them that they ar e all still old friends (Old Friends Part II). Broadway producer Joe Josephson and his wife Gussie arrive. She and Frank have been having a long-term affair. Joe has learnt to live with it, but Mary, hopelessly in make love with Frank, finds it much harder to accept. When the others leave, Gussie startles Frank by announcing she intends to divorce Joe to be with Frank, leaving him to decide on what he wants (Growing Up).The years rewind to 1966 (Third Transition). Frank is being sued for divorce by Beth, and they wrangle over the hands of their young son in a courthouse in Lower Manhattan. Beth tells him that Not A Day Goes By when he isnt a part of her life, but she gear live with him knowing he is cheating on her with Gussie. The marriage is over. Mary and Charley and Franks other collegues rally around him telling him that the best thing to do is to move on and start again (Now You Know).Act II opens on the opening night of Frank and Charleys first Broadway show, Musical Husb ands. Gussie stars in the show, and the act opens with Gussies performance of Franks and Charleys pornographic hit song(Act Two Opening). Although not exactly the kind of show the duo had always planned, as the curtain comes down on the show, the audience applauds wildly. Broadways latest words-and-music team, Charley and Frank, have just found themselves a hit. (Its A Hit)The years roll back further to 1962 (Fourth Transition) at a party in Gussie and Joes apartment. Gussie has thrown a soire so that Frank and Charley, who are going to write a musical for Joe to produce, can meet all the richest and most influential people in town describes as The Blob. We see early signs of Gussies romantic interest in Frank (Growing Up). Gussie invites the collaborators to perform their latest song, Good Thing Going. The guests love it. Gussie simply fawns over the number and implores them to do it again. Charley urges Frank not to. You want to know what true greatness is? Its knowing when to ge t off, Charley says. But Frank insists. They play the song again, but the guests quickly lose interest and resume their cocktail chatter over Franks reprise (The Blob Part II).Back to 1960, the dawn of a new decade with new hopes (Fifth Transition). Charley, Frank and Beth are young and on the outset of their careers, playing Frank and Charleys music at a small nightclub in Greenwich Village. Trying to seem bright and sophisticated, they perform a cheeky number celebrating the accession of Americas new First Family (Bobby And Jackie And Jack). Joe is in the tiny audience and hes quite impressed, as is his wife Gussie. Afterwards, Frank explains that hes marrying Beth and pledges that a day doesnt go by when shes not a part of his life (Not A Day Goes By Part II). At an adjoining table, Mary echoes the sentiment its how shell always feel about Frank.Its 1959 (Sixth Transition) and the young Frank, Charley and Mary are busy in New York, establishing their careers (Opening Doors). T he boys auditory sense for Joe, but he wants more hummable tunes. So they decide to do their own show and end up hiring Beth as a singer.The years finally take us back to October, 1957 (Seventh Transition). Its 530am, and Frank, Charley and Mary are on the roof of an old apartment house waiting for the first-ever earth-orbiting satellite. Suddenly, Sputnik is there in the sky, and for the three young friends, anything is possible (Our Time).The Last Five YearsJason Robert Browns one act musical The Last Five Years premiered in Chicago and was later produced off-Broadway in 2002. The story explores the five year relationship of Jamie Wellerstein and Cathy Hyatt. Like Merrily it also makes use of reverse-linear motion, but just for one character so Jamies story moves chronologically through their relationship, but we begin at the end of Cathys story moving chronologically backwards. Their relationship begins in their early twenties Jamie is an up and coming novelist, Jewish and inten se. Cathy is a struggling actress, catholic and insecure.Browns score is diverse and he is not afraid of writing catchy melodies with much of the material being pop-driven and wedded to intelligent lyrics that explain who these characters are. The show was met with high acclaim, with critics praise the Browns genuine, smart, humorous and moving writing .The show begins with Cathy alone in her apartment as her marriage to Jamie has ended, and he has just moved out (Still Hurting). When the song finishes, Jamie appears. It is five years earlier and he is on their first date. We learn that Jamie is Jewish and Cathy is not. Despite this, Jamie is completely smitten with his Shiska GoddessThe scene then switches to Cathy sitting on a pier in Ohio with Jamie, who has come to visit her for her birthday while she does summer stock theatre (See Im Smiling). It is clear that she is not happy about spending her time away from Jamie and is enthusiastic about fixing their marriage. She becomes very angry when Jamie announces that he has to return to New York. They argue, and Cathy claims that he spends all of his time thinking only of himself, recounting you and you and nothing but you. During interludes in the music, Jamie, several years earlier, talks to a literary agent about the book he has just written. His future looks promising.The play moves away from their argument, and Jamie tells a friend that he is moving in with Cathy. Everything seems to be going right for him his book is being published and the Atlantic monthly is produce the first chapter. Even though his work and his relationship with Cathy seem to have taken on lives of their own, hes too happy to get worried (Moving Too Fast). Cathy, meanwhile, is making a call to her agent. Though we only hear her side of the conversation, it is obvious that she is struggling with her career.Cathy sits at Jamies book signing party. She sings about her life with him, asserting that even though he often obsesses over h is writing and ignores her, she is terribly in love with him (A Part of That). Cathy confesses that she does not act independently anymore, but instead follows in his footsteps.Jamie celebrates his first Christmas with Cathy. He tells her a fable (which he has written, new and unpublished) about an old tailor named Schmuel whose encounter with a magical clock gives him infinite time to realize the dress of his dreams. Jamie reveals the parallel between Schmuel and Cathy she needs to take the time to unlock her dreams. He presents Cathy with her Christmas present a watch (The Schmuel Song).Cathy sits in Ohio and writes a garner to Jamie. They have just been married and she is missing him dreadfully. She describes to Jamie her quirky life in Ohio among her eccentric cast members (A Summer in Ohio).Jamie is sitting with Cathy in a gravy holder on the lake in Central Park. He proposes. Cathy enters and Jamie presents her with the engagement ring and, for the first and only time in the musical, their stories meet and they sing together (The Next cristal Minutes). They exchange vows and rings, promising to stay together for the next ten lifetimes. They kiss before Jamie escorts Cathy to the rowboat, where she has the other side of the conversation that Jamie had before her arrival. Jamie watches her go.The newly-wed Jamie is facing some enticement issues. He feels like he is constantly bombarded by attractive women, especially since his writing career has taken off (A Miracle Would Happen). Cathy, meanwhile, embarks on a series of audition for the job in Ohio (When You Come Home to Me). She is frustrated with the audition process and discusses her sense of inadequacy with her father (Climbing Uphill).Jamie, on the phone with Cathy, does his best to convince his wife that his relationship with his editor, Elise, is purely platonic. Cathy doesnt believe him. Jamie wants to celebrate a book review in The New Yorker, but Cathy isnt in the mood to go out. She sings p assionately about her desire to be independent, refusing to trot along at the geniuss heels.Jamie is reading an excerpt of his book. It is obviously about his relationship with Cathy. In the next scene, Jamie is fighting passionately with Cathy. It is toward the end of their relationship and he is trying desperately to just get her to listen to him. He wonders aloud if they will ever get to the point where things are easy, where there arent so many obstacles facing their marriage. He accuses her of being unsupportive of his career just because hers is failing. Though his words are harsh, he promises her that he believes in her unconditionally, and that if he didnt he wouldnt love her (If I Didnt Believe in You).Some time into the relationship, Cathy drives Jamie to her parents house in the suburbs. As she drives, she babbles happily about her past relationships and her desire not to end up in the same small town life as her best friend from high school married with children and livi ng in a little cute house on a little cute street with a crucifix on the door (I Can Do Better Than That). At the climax of the song, she asks Jamie to move in with her.Towards the end of the marriage, Jamie wakes up in the apartment beside a woman who may or may not be his editor, Elise (Nobody Needs to Know). He tries to defend his actions and blames Cathy (who is away in Ohio) for destroying his privacy and their perfectly balanced relationship. Jamie promises not to lie to this woman and tells her, just as he told Cathy in Shiksa Goddess, that I could be in love with someone like you.Cathy is at the end of her first date with Jamie. She sings goodbye to him (Goodbye Until Tomorrow). She proclaims that she has been waiting for Jamie her social unit life and is ready for this romance. Simultaneously but five years forward, Jamie sits in their shared apartment writing a farewell note (I Could Never extradite You). As Cathy waves Jamie goodbye until tomorrow, Jamie wishes Cathy si mply goodbye.So what do these two musicals have in common apart from the obvious manipulation of time used in each story? Well it becomes apparently clear on examination of both the shows and their creators that these stories are more than just something to be told, but in fact stay perilously close to home and stem from a more personal elements of the world of both Sondheim/Furth and Jason Robert Brown. In Merrily the character, composer Frank Shepherd, advises an aspiring writer Dont just write what you know Frank says as he points to his head. Instead, he encourages to write what you know, pointing to his heart.Despite Sondheim always being very avid that he never writes himself into any characters, there was a clear choice made to change the original Kaufman and Hart play from playwright and painter to composer and librettist who write musical comedies together. in that location are further similarities established by making the librettist a native of Chicago and graduate of C olumbia University. Also we note that the theatre in which Frank and Charleys hit show is produced is The Alvin, which was home to Sondheim and Furths first great hit Company in 1970 and later Merrily itself in 1981. Where the characters and contemporary settings in Company were like a shot forcing the audiences to acknowledge and confront the themes presented, Merrily also challenges Sondheim and Furth themselves to acknowledge their own world, their own relationships and the industry they find themselves in.Putting the characters in the familar surroundings of Broadway productions allows Sondheim and Furth to make a real statement about the industry What kind of people fill this world? What kind of pressures do writers and composers face throughout their careers? What do producers want? Can one walk the fine line between commercial success and artistic integrity? Perhaps it is this demystifying of the Broadway illusion was what led to the original production of Merrilys early oc clusive?Jason Robert Brown is more open about his obvious personal link to the character of Jamie and the similarities of the Jamie/Cathy relationship to that of Brown and his failed marriage to actress Theresa ONeill. We see how the rise of Jamies career as a writer mirrors that of Brown as a composer and the troubles it gave in marriage. Indeed, ONeill even threatened legal action before the opening of the off-Broadway production, claiming the piece came too close to real life. Brown made some changes, disclosing them, he states, would violate the settlement but we know that one of the major changes was the inclusion of the Shiska Goddess instead of I Could Be In Love With Someone Like You.The fact that both shows deal with a certain type of person an artist, a creator, trying to make a professional career in New York dictates the musical and lyrical style of the show In Merrily the fact that the show deals with two friends who write Broadway musicals leads to a traditional book musical with a score widely considered to be one of Sondheims most accessible scores with many ironically hummable melodies. With the characters of Frank and Mary, Sondheim and Furth have the chance to have some verbal fun as they enforce their characters abilities as writers. We see with that Mary has a habit of taking other peoples clichd conversation and turning it into unexpected meanings, for example in the opening party seenRu So what do you do?Mary I drink.Ru No, what do you really do?Mary I really drink.Also, when Frank tells everyone that he and Mary go way back, she continues, but seldom forward, not only a comment on their stalling friendship but also a clever inside joke on the narrative structure of the piece. Verbally, Mary keeps taking people places they dont expect to go. Sondheims lyrics in That Frank show this ability to take the listener down one road and then take an unexpected turn in another direction. Singing about Franks guest she saysThese are the movers, t hese are the shapersThese are the people who give you vaporsAnd in Now You Know she makes the move point that you should burn your bridges every now and then, turning around the conventional idea that burning bridges is a negative thing. Similarly there is some further beautiful wordplay highlighting her knack with words as she advises Frank that bricks can tumble from clear blue skies, and that people love you and tell you liesCharley sometimes plays a similar verbal trick. Whilst being interviewed on TV he is asked, What comes first, the words or the music? he replies, Generally the contract. Infact, the song Franklin Shepherd Inc is a complete show piece for Charley, highlighting both his talents with words and having only been introduced to the character, the audience are made sensible of the dynamics of his character who seeks purity of purpose, dedication and the rewards of keeping it simple.On the other hand, composer Frank is inarticulate in comparison. We find that when h e opens his mouth he tends to create some clich like the worst vice is advice or she is the raft that keeps me from drowning. Also, we note that he only sings one solo number in the show Growing Up, where we become aware of the characters ability to think he is rationalising his hopes and beliefs when he really means compromising.Both shows seem to have a sense of honesty with the creation of real, multi-layered storyline and blemish characters. Maybe it is the close relationship of creator(s) and story that manages to generate scenes and songs which capture a moment in time or an emotional snapshot which sets these shows apart.Furthermore, both shows also centre on the fragility of relationships, with the manipulation of time constantly conditioning and changing the audiences view of the relationships and where their sympathies lie. **

Exploring What Makes A Successful Leader Leadership Essay

Exploring What Makes A Successful Leader Leadership EssayA loss fondness is destined a individual who is leaded by the other persons. On the other hand, a loss attracter is besides must consequential to act security to get describeers a leader hence they should to take in concentrate, aim, and guidance and improve them with some expressions, opinion and action. Leadership is a mostly close a management activity which like communication and person each(prenominal)y ordain control it and go away be afford to achieve the company s goals. other(a) than that, the leader is knowledge able-bodied to make batch satisfied with themselves by accretion their self honor. It is important to shatter consume hurdle and create links, which is to demonstrate hurdles among departments, organisations, employees and customers. The leader s challenge is to build and deteriorate in relationships and also makes a communication environment to his followers. The leadership s actions must champion the police squad up to get done the objectives, and fulfilling needs. A leader has to classify around the human nature life, and be skilled to express people reducing the team s doubts about ensuing. A few people assume that a leader is born for that way and there is no any additional way to practicing or learning to create a leader. They atomic number 18 thinking in the wrong way because inside of all human being there is a leader waiting to be awake and holding on a prospect to await.The characteristics of a leaderA few extraordinary characteristics be hopeed to be highly-developed inside the body of an individual, which no disbelief, have got to build a person good leader by out compute, gesture and performs. Different leaders have different kinds of natural characteristics and give the consciousness of being either energetic, proud, angry, kindly, soft natured or emotional. However there is something wanted to be overcome by all as common characteristics of a leader. Each one of the leaders happens to be honoured with some unique idiosyncrasies, called as a special characteristic of a leader. We are presenting over here a few obvious characteristics take to be developed inside the individual as the general characteristics of a leader.One of the oddish characteristics of a leader is he/she admitting his/ her disadvantages, weaknesses and failures. Such kind of characteristics expose respective leader s leaveingness to believe in soaring standard, victory and activity, which gives him/her the pleasure, praise and esteem or support from all walks of life.A leader should have a power of intuiting and taking precautionary move in order to tame the contend situations efficiently and roaringly. Intuition, being one of the best characteristics of a leader, forecasts everything waited. It helps the respective leader to apprise public, in advance, a situation to cause its vigorous impact on the people perilously or constructively. In other words a good leader can arouse the sentiments against as well as in favor of individual, regime and power.An efficient leader should be equipped with a characteristic of predetermining the actions needed to be taken, in the time to come, in order to escape with contrary situations efficiently. Great ability to evaluate appropriate timing for the course of action is one of the crucial characteristics of a leader.Ability to develop a entropy of information on administrative structure, management, defense, budget, economy, relations, bureaucracy and analyzing them prolixly for their utilization are some of the additional characteristics needed to be developed by a leader.Managing, controlling and make/ persuading the arm force backs or the public also are the required characteristics of a leader.Instead of asking the people to do something special, a good leader is needed to present an ex full-bodied before the public. It is a important characteristic of a good leader.Good leader s hould control his emotions and anger in public. He should move the public through his words and deeds without causing an impression that it may hurt common person as well.b) Seven personal qualities found in a good leader1. A good leader has an exemplary character. It is of utmost importance that a leader is trustworthy to lead others. A leader needs to be trusted and be known to live their life with honestly and integrity. A good leader walks the talk and in doing so earns the good to have responsibility for others. True authority is born from respect for the good character and trustworthiness of the person who leads.2. A good leader is enthusiastic about their work or cause and also about their role as leader. multitude will respond more openly to a person of passionateness and dedication. Leaders need to be able to be a source of inspiration, and be a motivator towards the required action or cause. Although the responsibilities and roles of a leader may be different, the lead er needs to be seen to be part of the team working towards the goal. This kind of leader will non be claustrophobic to roll up their sleeves and get dirty.3. A good leader is confident. In order to lead and set direction a leader needs to appear confident as a person and in the leadership role. Such a person inspires confidence in others and draws out the trust and best efforts of the team to complete the task well. A leader who conveys confidence towards the proposed objective inspires the best effort from team members.4. A leader also needs to function in an orderly and purposeful manner in situations of uncertainty. People look to the leader during times of uncertainty and unfamiliarity and find reassurance and security when the leader portrays confidence and a dogmatic demeanor.5. Good leaders are tolerant of am immenseuity and remain calm, composed and steadfast to the main purpose. Storms, emotions, and crises come and go and a good leader takes these as part of the journey and keeps a cool head.6. A good leader, as well as keeping the main goal in focus, is able to think analytically. Not yet does a good leader view a situation as a whole, but is able to break it down into sub parts for closer inspection. While keeping the goal in view, a good leader can break it down into manageable steps and make progress towards it.7. A good leader is committed to excellence. Second best does not lead to achiever. The good leader not only maintains high standards, but also is proactive in raising the bar in order to achieve excellence in all areas.These seven personal characteristics are foundational to good leadership. Some characteristics may be more naturally present in the spirit of a leader. However, each of these characteristics can also be developed and strengthened. A good leader whether they naturally possess these qualities or not, will be diligent to consistently develop and strengthen them in their leadership role.Overall, leadership involves being an effective communicator, being trustworthy, and being ambitious. The leader needs to be able to connect on some level with his followers. His followers need to be able to depend on him. Lastly, he needs the inner motivation to want to lead the group of peopleLeaders know how to make people function in a collaborative fashion, and how to motivate them to excel their performance. Leaders also know how to balance the individual team members quest with the goal of producing synergy ( ) an outcome that exceeds the sum of individual inputs. Leaders require that their team members for self the quest for personal best in concert with the team effort.9An important verse of a leaders own achievement is the success of his or her followers. The strength of a leader is measured by the ability to facilitate the self-leadership of others. The first critical step towards this goal is to master self-leadership. If leaders want to lead somebody, they must first lead themselves.Successful personS uccess is the achievement of a sought after aim, fame, wealth or social position. So a made person is somebody who has been able to achieve an aim, fame, wealth or social position. A successful person is somebody who has been able to start a project (no matter how small it is) and see it to the end and should also have guided quiet a number of people to bring their own projects to completion. I believe this is a complete definition of success.A successful individual is the most powerful force for budge and happiness on the face of the earth or in all of existence. A successful person achieves their goals no matter what they may be. Sure, success can be anything though, as long as it is a positively achievable ideal. Genuine achievement comes down to a positive ideal in every way that counts. Negative ideals are failure, and the ultimate failure is a asleep(predicate) psyche, not necessarily physical death so much. A dead psyche with a living body is an obvious failure because of the fact that potential is wasted being a conscious failure.Successful people also are strong believers. They believe in themselves and also in God. Successful people are also very self responsible. They realize that they have a choice in life and that they are responsible for whatever outcome of their effort. They don t blame anyone or anything for their mistakes but make a positive choice to change their style of approach for better outcome in the future. Don t blame anyone for your failure. Just learn from it and move on. Usually this is how the successful people think. Successful people are also very committed to their goals. They don t give up on their goals whenever things go wrong. They do whatever within their resources and turn the problem into opportunity leading to their success.a) The Qualities of Successful PersonDifferent person value success differently, but you would be hard touch to find anyone that doesnt want to be successful by their own definition of the word . Like anything that is worth your time, success doesn t come easy and it will most definitely not come without effort. Regardless of the arena in which you want to succeed, there are qualities that all successful person possess. When you want to be great, you should look up to great person and apply elements from their road map to your own life. There are six of the qualities to achieve success-1. Master your craft beseeming a master in a field does not necessarily mean that you obtain a Masters degree in your profession. Mastering your craft will be a continual process because there is always room for improvement. Learn everything you can about your field and become an expert. Always be open to learn new things and make the effort to gain and fine tune your skills.2. Be consistent or Stay thinkStay focused on your goals let them become the air you breathe. Work on your craft consistently. Be sure to give whatever you set out to do ample attention so that you yield desirable resu lts. Whatever you give your attention and that is what will grow and to achieve success, you have to stick with it. Remember that if youre working atomic number 23 times as hard on something, there is someone out there, likely your competition who is working 10 times as hard. Even if youre not able to dedicate every single day to a project, be consistent with the time and effort you can put toward your goals.3. retort responsibilityTake on the responsibility of accomplishing your goals and being successful, because no one else will do that for you. Your goals are your own and you have to be the captain of your own ship if you want to be successful. This means, that you cannot blame anyone for anything and you should also not make any excuses for anything that doesn t happen or that goes wrong take responsibility for yourself and your dreams. Try to enact change and control to some extent over your project(s).4. Perfect your time management skillsAll you have in this life is time a nd you determine what you will spend your time doing. At times there are many factors that take up your time, and this is where time management comes in. Successful people know that there is a time for everything. Once youve set aside time to do something, be sure you spend your time doing just what you set out to do because this is the only way to make sure you accomplish your goals.5. PlanYou have to plan for your success. In every aspect of your life you will have to make and follow through on your plans. You have to plan your daily life and you have to set short term and long term goals in order to green goddess your progress. See where you want to be and create a road map (plans) to get there.6.7. Surround yourself with positive and motivating peopleAs sure as the guarantee of moving company insurance the company you keep will affect when, how, and if you achieve success. Its imperative to surround yourself with people that will bring you up and not pull you down. This doesn t mean that you have to cut off your friends, but spend time around people who will motivate you to help you stay focused and motivated on your goals.b) The characteristic of successful personSuccessful People certainly share a set of common personality characteristics. Here s a checklist of personality characteristics shared by Successful People.1. Always dream big Successful people always see the big picture . It takes the same effort to dream big as it does to dream small. You have to believe it s possible.2. Have passion Successful People are passionate about all they do. They jump right in and do what they do with panache and style. They don t do things by halves.Do what you revel and love what you do Success is more than just money it s being challenged, happy, and passionate about what you do, and the success and money will follow.3. Have receptive vision and focus Keep your Vision clearly focused before you. Live your highest Vision, and affirm it every day with joy and fun.4. get powerfully auxiliary positive beliefs Successful people always see the positive. It s vitally important to your success that you cultivate positive Beliefs. When we try to make changes, our brain and ego goes for a search in our inner filing cabinet of beliefs to support the status quo. When opposing beliefs show up people tend to cave in.5. Maintain a deep conviction that you will and deserve to achieve the success you desireTrue winners know they deserve. Don t waver because the Universe will pick up on your equivocation and think you re really not serious about wanting it.6. Know how to work with the law of attraction to achieve success Access and put into practice Law of Attraction principles to help you Get What You WantOne of the most important traits of successful person is their integrity. In my opinion integrity is what a person would do without anyone watching. A person with integrity will always go the extra mile for others and do what is right. They do this because they themselves know it s the right thing to do. Their actions are not based off of what society thinks or individuals around them, but from their own moral character.A successful person with integrity outshines all others. They go the extra mile to help people, and their moral character never sways. They have strong beliefs and will do whatever it takes to accomplish the goal at hand. The trait of integrity builds long lasting relationships because a person with integrity is always true to themselves and others. People of integrity also make great leaders because people can count on that person to always do what is right.On the journey to success and while influencing others we must always keep our integrity in check. We must have strong moral commitments, and never let them waiver. Believe in our self and believe in others. Integrity is the wind against our sail. The stronger our integrity the faster we will get to what we desire and we will not only accomplish much, but will also have a long lasting effect on others.

The Dairy Science Department at Cal Poly :: Agriculture

The Dairy Science Department at Cal Poly The Eugene and Rachel Boone Dairy Science Complex at Cal Poly, San Luis Obispo contains a fully-operational dairy and research facilities for students in the Dairy Science department. This complex is located on Mt. Bishop Road, past the Crops social unit and Veterinary Hospital, and sits in the scenic foothills of Bishops Peak. Cal Poly has one of the largest Dairy Science departments in the country and it is the only university on the west coast to offer a specific Dairy Science major. The first-rate facilities at Cal Poly allow students to learn more or less feeding, drawing, calf raising, artificial insemination, and the management of dairies in the classroom and then practice what they obligate learned on the purebred Jerseys and Holsteins. The Dairy Cattle Instructional Unit was built in 1992 and is used for a wide range of instructional activities. The first floor of this unit contains two classrooms, a computer room, a fodder and physiology testing ground, and a microbiology laboratory. Numerous plaques and awards from local cattle shows dot the white walls. Cal Poly has bred some of the top-rated cows in the nation for type and production and individual cows have won many awards for the rich content and amount of milk produced. Industrial-like stairs along one wall lead up to the second floor where visitors prat view the milking process. Cows are milked at the milking parlor daily from 4 to 6 am and 4 to 6 pm. This immaculate parlor can milk 16 cows at one time and contains state of the art milking equipment including an energy-efficient pre-cooling system, which the milk passes through before being stored in two 3,000-gallon bulk tanks. The physiology laboratory is used for artificial insemination, feed analysis, and dairy biotechnology courses. Students perform experiments such as embryo manipulations and transfer techniques in this laboratory. Beyond the Instructional U nit are the barns where all the cows reside.

Personal Writing: My First Time Experiencing Riding A Bicycle :: essays research papers

Personal Writing My First Time Experiencing Riding A BicycleSangho KangAfter a very meaningful conversation with my pop music about the old days, wecame up with an object that we both remember cleary. It was my very firstbiclycle. My mind told me that I got it when I was only eight but my mammyinsisted that I was seven when I got it. Either of us had a proof, and so wedesided that when I got it was not important.My dad put together totally the small pieces of the bicycle. From abeautiful material that he called, "Your own car." Of course I knew that hehad some magical ability, but I didnt think he could make much(prenominal) an awsomeobject. He added the seat and the pedals. Last so that I would not have anyproblems.My dad recalled that the bicycle was the smallest he could find. Iremember how gigantic it was. I was so afraid of it and there was no way thatI was going to control that monster-sized material. The bicycle remained in mybackyard as a decoration for a month because I refused to ride it. Honestly,I was scared to try it.After a month, my dad gave me a lecture to teach me what being a manwas all about. I was finally determined to try it. My dad was tall of me andI felt very manly. He and I went to the pose to see what we could do there.The park was empty when we arrived. I had no dought that my dad toldeverybody not to be there because we had to use it. I felt badly for otherpeople, but I was proud to have such an onnipotent person as my dad.We found a smooth and a often space. My dad was holding the rear of theseat to make indisputable I didnt fell. He assured me that I was not going to fallbecause he would be running right behind, holding the bicycle. He reassured meby saying that it was the word of a man and I could trust it.I started to pedal and the bicycle moved. Once it started to move, Ifelt pedaling was much easier than expected. I asked my dad if it would be aseasy to ride a bicycle without him holding on it. He did not answe r me becausehe couldnt run, hold the bybicle, and talk at the same time. I told him wecould stop if he was tired.

A Home that I Can Point To Essay -- Personal Narrative Moving Essays

A Home that I Can Point To We be moving once again. The new place is barely slew the street, but we collect to move again. This is the fifth time in six years that I have moved from one apartment to another. Im glad we are finally moving out of the old apartment, because the guy below us constantly banged on his ceiling when I walked from one room to another. Its been awhile since I have had a place to call home, a place I can grow fond of. I have hope that one daylight we will live in a house and not have to worry about cranky neighbors or stairs to climb before I reach my front door. As I read the short piece from Sandra Cisneross, The House On Mango Street, I began to appreciate everything that I had in life. The stage is narrated through the thoughts and emotions of a young girl whose family lives in poverty and struggles to find a decent place to live. The message that Cisneros tries to convey to her readers is that those who have plenty in life must realize that there are people who struggle every day and work hard in order to survive, and they too have dreams and goals of one day living an adequate life. People who have such elaborate homes or even simple homes always want more(prenominal), never disposition the value of what they have. Once I read the story, I came to terms with what life is like for those who hardly have subject matter of getting water. I have gained more respect for those who struggle, but still make an effort to ameliorate their situation. From my experience, I can relate to her need for a solid ground, but when it comes to the difficulty of living in poverty, I can only learn to be grateful for what I have. The oldest home that I can remember is an apartment my mother, stepfather, and I lived in. The grammatical construction was ... ...the place I call home. As a child, one needs to make memories of their childhood and this girl loses that opportunity. In the girls case, she is unhappy with her home, and unappreciative of what her family provides for her. However, she is no contrary from any other person in society. We all desire more than what we can realistically acquire, and constantly expect better things in life. This is not a negative aspect of human nature it is simply a mechanism to strive us to do better in life. I knew then I had to have a real house. A real house. One I could point to. This attitude shows the reader that she has used the torment she has endured as a means of reinforcement on striving for a greater future. I hope that someday, my Dad and I can find a place to settle belt down in, but it will probably be awhile. Like the little girl would say, I know how those things go.

Comparing the Dance of Life in My Papa’s Waltz and Saturday Night Fev

Parallels of The Dance of Life in My Papas Waltz and Saturday Night Fever Throughout the ages, dance has played an important role in society. It symbolizes tradition, family, bonding, and entertainment. In almost every decade of the twentieth century, a different style of dance prevailed. In the 1970s, deception Travolta brought disco dancing into the spotlight with his portrayal of Tony Manero in Saturday Night Fever. Through his depiction of this character, John Travolta shows the monumental effects of dancing. Literature can also cunningly explore the effect of dance on people. Theodore Roethkes My Papas Waltz dramatizes a special and positive blink of an eye in a boys life. The authors word choice reflects the significance of this moment of bonding between a father and his son. Some critics have seen this boys memories as a recollection of a time of abuse. This poem does not reflect an exemplification of abuse, but rather a dance of life. In Saturday Night Fever, Tony and h is friends often drink before and after they dance. It is a part of their routine, but it does not aff...

Ralph Waldo Emerson and Henry David Thoreau as Fathers of Transcendenta

Ralph Waldo Emerson and Henry David Thoreau as Fathers of transcendental philosophyTranscendentalism was a movement in writing that took place in the mid-nineteenth century. It formed in the early to mid nineteenth century and reached it climax around 1850 during an era commonly referred to as the American Renaissance, Americas Golden Day, or the Flowering of New England.The basic tenets of Transcendentalism involve the relationships between ones self and the world at large. First, the search for truth in Transcendentalism begins with the individual. The thoughts of Transcendentalist writers must come from themselves and not from others. They could study previous works for inspiration, but they could not take the ideas of others. Transcendentalist writers have finish up self-reliance in their ideas. Transcendentalism called for literary, philosophical, and theological independence from Europe, earning the Transcendentalist era the label American Renaissance.Next, Transcendenta lism also relates to the rest of the world. It applies individual energies gained through self-reliance to the overall good of society. In Transcendentalism, there is no real evil. For every apparent evil there is a true goodness. Because evil is said not to exist, Transcendentalists intrust in the perfectibility of man.One well-known Transcendentalist author is Ralph Waldo Emerson. Ralph Waldo Emerson was born in New England in 1803. He entered Harvard Divinity College where he trained to become a priest. However, he later withdrew from the ministry because he did not share the same ideals that were imposed on him by church authority. In 1832, Emerson sailed to Europe to flee the despair he felt up after the deaths of his wife and bro... ...using metaphors and rhythms according to his own style. Literature such as Ralph Waldo Emersons Nature and Henry David Thoreaus Walden reflect the tenets of Transcendentalism. They set the foundation for Transcendentalism because Em erson and Thoreau were the fathers of the literary movement. Both writers searched for truth and the meaning of life on an individual level that fit their feelings. They demonstrated the perfectibility and self-reliance of individuals. For example, Walden tells of Thoreaus two years of alive in the woods relying on himself for food and shelter and trying to simplify his life. He wanted to demonstrate that there was no evil in the ease of his forest home. Just as Thoreaus Walden demonstrated Thoreaus renewal or refreshing of his own spirit, Transcendentalism was the renewal or rebirth of American Literature.